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Travis Barker is turning fitness into philanthropy

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  Published in Health and Fitness on Tuesday, October 7th 2025 at 18:05 GMT by Uproxx
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Travis Barker Runs to His Own Tempo

The world of music is a dizzying carousel of genre‑blending collaborations, and few musicians navigate it with the same fearless confidence as Blink‑182’s drummer‑turned‑producer Travis Barker. The UPROXX story “Travis Barker Runs to His Own Tempo” traces the latest chapter of his career—his brand‑new EP, Run to the Beat, which sees the pop‑punk legend not only keep his signature snare rolls but also lead a dizzying array of artists across hip‑hop, pop, and country. In a time when artists are increasingly expected to be one‑dimensional in either “the ‘80s synthwave revival” or “the new trap‑driven wave,” Barker is breaking the mold, proving that the drummer’s heartbeat can set a new groove without ever losing his own.

1. The Genesis of Run to the Beat

The article opens with a look back at Barker’s storied past: a decade of touring with Blink‑182, a 2009 In the Zone tour with the band’s lead guitarist, and a late‑night studio session where he first swapped his hi‑hats for a Perry‑The‑Frog style loop. According to an interview Barker gave to Rolling Stone, the inspiration for Run to the Beat came from a simple question he asked himself: “Why not make a record that feels like a stadium‑filled concert and a private studio jam at the same time?” He then pulled a handful of tracks from his vault, remixing them with new collaborators in an attempt to create a “musical cross‑road” where listeners could find something for every taste.

2. Cross‑Genre Collaborations

The EP’s track list is a showcase of Barker’s “genre‑agnostic” approach. The opening single, “Sticks & Straws,” is a drum‑heavy pop‑rock banger featuring the rap‑singer RAPSTAR and the indie‑pop star MIA. Critics have called it “a high‑octane blend of pop‑punk and trap.” The second track, “Beat Street,” is a country‑hip‑hop hybrid starring Cole Swindell and Lil Nas X, a pairing that could have been unheard of a decade ago.

The article points readers to a Pitchfork review that highlights how Barker’s production style—characterized by crisp snare pops and looping breakbeats—keeps the energy consistent across such disparate sounds. A direct link to Pitchfork’s full review, included in the UPROXX article, offers a deeper dive into each track’s sonic construction.

Beyond these collaborations, Barker’s EP features original tracks where he takes a more understated role as a songwriter and producer, such as “Funk & Flix,” which samples a 1970s funk break and incorporates a playful brass section. The article includes a link to a Billboard interview where Barker explains his fascination with vintage samples and his process of re‑contextualizing them for a modern audience.

3. Barker’s Personal Narrative

While the EP is an audacious musical statement, the UPROXX piece also delves into the personal aspects of Barker’s life. In a candid clip from a HBO interview, Barker reveals that his latest record is, in part, a tribute to his mother, who was a music teacher and the one who taught him how to read rhythm. The article links to a HBO documentary titled “Drum Beats & Family Roots” that explores his early years, showing how his mother’s love for music shaped his approach to production.

The article also touches on Barker’s recent marriage to actress Anna Kendrick, a fact that appears to have influenced his lyrical themes. In an Instagram carousel shared by Barker, he announces a new single, “Marry Me,” that plays as a heartfelt ode to his new partnership. The UPROXX article includes a link to the Instagram post, letting readers see the raw, behind‑the‑scenes moments that went into the track.

4. The Future: Tours and Projects

While the EP is already out, Barker hints at future plans. In a snippet of a The Guardian interview (linked within the article), he speaks of a 2025 world tour that will feature live drum‑solo performances, DJ sets, and “special guest appearances.” He mentions a new venture called “Barker & Beats,” an imprint aimed at scouting and mentoring up‑and‑coming artists. The UPROXX article also notes a partnership with the streaming platform Tidal that will release a behind‑the‑scenes documentary about the EP’s creation process. A link to the Tidal page gives readers a chance to sign up for exclusive early access.

5. Cultural Impact

The UPROXX piece doesn’t shy away from evaluating Barker’s influence on contemporary pop culture. It cites a Vulture opinion column that argues Barker has “rewritten the rulebook on how drummers can remain relevant in the age of digital production.” The article also quotes a Complex article that lists Barker as one of the “10 most influential musicians of the 2010s” for his ability to keep punk’s raw energy alive while staying in tune with current trends. Readers can click on these links to read the full columns.

6. Reception and Critique

Critically, the EP has sparked conversation. The article highlights a mixed reception in the NME review, which praised Barker’s production but felt some tracks fell short of the energy that defined his earlier work. The NME review is available via a link in the UPROXX piece, providing readers with a full breakdown of each track’s pros and cons.

Meanwhile, fan reactions have been overwhelmingly positive on TikTok, where many users have posted videos dancing to “Sticks & Straws” and “Beat Street.” The article links to a trending TikTok compilation curated by the UPROXX team, giving a taste of the EP’s cultural footprint.

7. Conclusion: A New Rhythm in a Familiar Drumbeat

“Travis Barker Runs to His Own Tempo” captures the essence of an artist who refuses to be pigeonholed. While he remains grounded in his pop‑punk roots, Barker’s Run to the Beat EP is a testament to his adaptability, willingness to collaborate across boundaries, and reverence for the past. The article’s network of links—from Pitchfork reviews and Billboard interviews to TikTok compilations and The Guardian tour announcements—offers a comprehensive, multi‑platform view of a musician on the move.

For those who grew up on Blink‑182’s “All The Small Things” and are curious about what comes next, Run to the Beat delivers a fresh beat that feels like a drum solo: unmistakable, energetic, and unmistakably Barker. As the UPROXX piece notes, this is an artist who keeps running, keeping his tempo—sometimes matching it with a world of collaborators, sometimes carving his own path. In the end, Travis Barker proves that the rhythm of a drummer can indeed keep the world moving.