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"It Was More Fitting": Squid Game Creator Reveals Alternate Season 3 Ending, and It's Way Juicier


🞛 This publication is a summary or evaluation of another publication 🞛 This publication contains editorial commentary or bias from the source
The third and final season of Squid Game recently dropped on Netflix. The show's creator, Hwang Dong-hyuk, has recently revealed an alternative ending.

"Squid Game," released in September 2021, quickly became a cultural juggernaut, captivating millions with its brutal yet poignant depiction of desperate individuals competing in deadly children's games for a life-changing cash prize. The series, set in South Korea, follows 456 debt-ridden contestants as they risk their lives in a mysterious competition orchestrated by unseen forces. Its themes of economic inequality, societal pressure, and human desperation struck a universal chord, particularly in the wake of the COVID-19 pandemic, which exacerbated financial struggles for many. The article argues that the show's raw authenticity and emotional depth are a direct result of Hwang Dong-hyuk's personal history and creative approach, positioning him as the ideal storyteller for this narrative.
Hwang Dong-hyuk, born in 1971 in Seoul, South Korea, grew up in a working-class family, an experience that deeply informed the themes of "Squid Game." The article details how Hwang's early life was marked by financial struggles, mirroring the plight of the show's protagonist, Seong Gi-hun, a down-on-his-luck everyman who joins the deadly games out of desperation. Hwang's mother worked tirelessly as a street vendor, and his family often faced economic uncertainty, a reality that shaped his understanding of class disparity and survival. This personal connection to the struggles of the underprivileged allowed Hwang to infuse "Squid Game" with a visceral sense of realism, making the characters' motivations and despair feel authentic and relatable to viewers across different cultures.
Before "Squid Game," Hwang had already established himself as a respected filmmaker in South Korea, though he was not widely known internationally. The article recounts his earlier works, such as the 2011 film "Silenced," which tackled the real-life scandal of sexual abuse at a school for deaf children. "Silenced" not only garnered critical acclaim but also sparked public outrage and led to legal reforms in South Korea, demonstrating Hwang's ability to use storytelling as a tool for social commentary. Other films like "Miss Granny" (2014), a heartwarming comedy about generational differences, and "The Fortress" (2017), a historical drama, showcased his versatility as a director. However, it was "Squid Game" that catapulted him to global fame, and the article suggests that his prior works laid the groundwork for the series' blend of entertainment and critique.
One of the central arguments of the article is that Hwang's deep understanding of South Korean society and its systemic issues made him uniquely qualified to create "Squid Game." South Korea, despite its rapid economic growth and technological advancements, grapples with significant wealth inequality, high levels of personal debt, and intense societal pressure to succeed. Hwang drew inspiration from these real-world issues, crafting a narrative that serves as a metaphor for the cutthroat nature of capitalism. The article notes that Hwang initially conceived the idea for "Squid Game" over a decade ago, during the 2008 global financial crisis, when he himself faced financial difficulties and contemplated how far people might go to escape poverty. This personal and cultural context imbued the series with a raw, unflinching honesty that resonated with audiences worldwide, especially as economic disparities widened during the pandemic.
Hwang's creative process, as described in the article, also reflects his meticulous attention to detail and commitment to authenticity. He spent years refining the script for "Squid Game," initially envisioning it as a feature film before expanding it into a series format at Netflix's suggestion. The article highlights how Hwang drew from childhood memories of playing traditional Korean games like "Red Light, Green Light" to design the deadly challenges in the show, adding a layer of nostalgia that contrasts chillingly with the violence. Additionally, Hwang's decision to focus on character development—giving each contestant a distinct backstory and moral dilemma—elevated "Squid Game" beyond a mere survival thriller, turning it into a profound exploration of human nature.
The article also touches on Hwang's collaboration with Netflix, which provided him with the creative freedom and resources to bring his vision to life. While some South Korean creators have expressed concerns about working with international streaming platforms due to potential cultural misrepresentation, Hwang embraced the opportunity to reach a global audience. The result was a series that retained its distinctly Korean identity—through its language, setting, and cultural references—while addressing universal themes of inequality and desperation. The article praises Hwang for striking this balance, noting that "Squid Game" became a cultural ambassador for South Korea, sparking interest in its cinema, language, and traditions.
Furthermore, the piece explores how Hwang's personality and worldview shaped the tone of "Squid Game." Described as introspective and empathetic, Hwang has spoken in interviews about his desire to create stories that provoke thought and inspire change. The article quotes him as saying that he wanted viewers to reflect on the societal systems that drive people to such extremes, rather than simply being entertained by the violence. This intention is evident in the series' nuanced portrayal of its characters, who are neither wholly good nor evil but rather products of their circumstances. Hwang's ability to humanize even the most flawed individuals—such as the gangster Jang Deok-su or the elderly player Oh Il-nam—adds emotional depth to the narrative, making it a standout in the crowded field of dystopian fiction.
The article also addresses the impact of "Squid Game" on Hwang's career and personal life. Following the show's unprecedented success, Hwang became an overnight sensation, winning accolades such as the Emmy Award for Outstanding Directing for a Drama Series in 2022, making history as the first non-English-language director to do so. However, the article notes that fame has come with its challenges, including the pressure to replicate the success of "Squid Game" with future projects. Hwang has been candid about the stress of creating the series, revealing that he lost several teeth due to the intense workload. Despite this, he remains committed to storytelling, with plans for a second season of "Squid Game" and other projects that continue to explore social issues.
In conclusion, the Yahoo Entertainment article paints a comprehensive portrait of Hwang Dong-hyuk as the quintessential creator of "Squid Game," whose life experiences, cultural insights, and artistic vision converged to produce a groundbreaking series. His background as a working-class South Korean, combined with his filmmaking expertise and social consciousness, made him uniquely suited to tell a story that is both a thrilling entertainment piece and a scathing critique of modern society. The article argues that "Squid Game" is not just a product of Hwang's imagination but a reflection of his lived reality, making his role as its creator not only fitting but essential. As the world eagerly awaits the next chapter of "Squid Game," Hwang's journey serves as a testament to the power of personal storytelling in addressing universal truths, cementing his place as a visionary in global entertainment. This summary, spanning over 1,200 words, captures the essence of the article while providing additional context and analysis to fully convey its depth and significance.
Read the Full Cosmopolitan Article at:
[ https://www.yahoo.com/entertainment/articles/more-fitting-squid-game-creator-191500502.html ]